Three ways to work together.
Take one stage or hand off the whole back half. Every engagement starts with a conversation about the film, not a rate card.
Color & finishing
Grading from dailies through final delivery, with look development that holds up across a whole feature. Conform, shot matching, and a delivery spec built for festivals and streaming.
Cinematography
Camera, lighting, and coverage for narrative work on real schedules. Practical, story-first lighting and a shot plan that survives contact with the day.
Editorial & post
Assembly through locked cut, plus the unglamorous work that makes a release possible: sync, audio QC, versioning, and a pipeline that does not lose a frame.
Frames from recent films.
Stills from La Guadalupana and Mateo. Feature and short credits across color, camera, and editorial.
Stills are from the finished films and shown here as work samples.
Selected filmography.
Et Al V Segregation
Feature · grade and finishing.
Beautiful Dreamer
Feature · grade and finishing.
Lockard
Camera, grade, and editorial.
Mateo
Short · grade and post.
La Guadalupana
Feature · grade.
The New Apartment
Narrative short.
Once Upon a Time in Santa Ana
Narrative short.
Red
Narrative short.
No mystery between handoff and delivery.
You always know what stage the film is in and what comes next.
Talk
We watch the cut together and agree on the look, the schedule, and what delivery actually requires.
Prep
Media is verified and organized, sync is confirmed, and the project is built so nothing is discovered late.
Grade
Look development first, then a full pass with review rounds. You see real frames, not a promise.
Deliver
Final renders to your spec, with QC on the exports and a clean handoff for festival or platform delivery.